{"id":11880,"date":"2013-06-14T09:54:11","date_gmt":"2013-06-14T07:54:11","guid":{"rendered":"https:\/\/www.disparates.org\/iota\/?p=11880"},"modified":"2014-03-21T11:52:48","modified_gmt":"2014-03-21T10:52:48","slug":"le-point-de-capiton-de-simon-hantai-saisissant","status":"publish","type":"post","link":"https:\/\/www.disparates.org\/iota\/2013\/06\/le-point-de-capiton-de-simon-hantai-saisissant\/","title":{"rendered":"le point de capiton de Simon Hanta\u00ef"},"content":{"rendered":"
\"La<\/a>
La Madonna del Parto de Piero della Francesca
v. 1455, Museo della Madonna del Parto, Monterchi<\/figcaption><\/figure>\n

C’est \u00e0 cette\u00a0 Madonna del Parto<\/em> de Piero della Francesca que Simon Hanta\u00ef d\u00e9die\u00a0 …del Parto<\/em> :<\/p>\n

\"...
… del Parto de Simon Hanta\u00ef<\/figcaption><\/figure>\n

Sur un carton d’exposition, il la d\u00e9crit\u00a0 dans ces termes :<\/p>\n

\n
… del Parto, Tabula 1975<\/strong><\/span>
Acrylique sur toile pli\u00e9e 255 x 320 cm<\/div>\n
Parmi les Tables peintes \u00e0 cette \u00e9poque, quelques unes de couleur terre. Terre verte, rouge, Pozzoli, terre br\u00fbl\u00e9e et ce caput-mortuum<\/em>.
Pli\u00e9e en rectangles, les croisements fix\u00e9s par des n\u0153uds \u00e0 l’envers. La face capitonn\u00e9e mise par terre est peinte. La couleur caput-mortuum<\/em> rentre dans la toile instantan\u00e9ment. Ne bave pas, souligne les coupes, les \u00e9chardes et l’\u00e9toilement sec et sans s\u00e9duction. Les n\u0153uds enlev\u00e9s et d\u00e9pli\u00e9s, le capiton s’ouvre en fente partout.
A la Madonna del Parto<\/em>.<\/div>\n<\/div>\n

Sur ce carton, \u00e0 l’encre manuscrite, il \u00e9crit \u00e9galement :<\/p>\n

\n

Quelque part, dans une lettre j\u2019ai fait allusion au matelas chez Lacan<\/strong>. Cette toile \u00e9tait vraiment un matelas par terre que j\u2019ai rempli de peinture.<\/p>\n<\/div>\n

\"\u00ab<\/p>\n

Je donne ici quelques photos (toujours) tir\u00e9es du film de Jean-Michel Meurice qui illlustrent bien \u00e0 quel matelas, et quels points de capiton, Hanta\u00ef fait allusion, en r\u00e9f\u00e9rence avec l’importante notion lacanienne de \u00ab\u00a0point de capiton\u00a0\u00bb :<\/p>\n

\"20130606_134147\" <\/a> <\/div>
\"20130606_134202\" <\/a> <\/div> <\/div>
\"le <\/a> <\/div> <\/div> <\/div> <\/div>\n

Sur la Madonna del Parto : http:\/\/terresdefemmes.blogs.com\/mon_weblog\/2005\/05\/la_madonna_del_.html<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

C’est \u00e0 cette\u00a0 Madonna del Parto de Piero della Francesca que Simon Hanta\u00ef d\u00e9die\u00a0 …del Parto : Sur un carton d’exposition, il la d\u00e9crit\u00a0 dans ces termes : … del Parto, Tabula 1975Acrylique sur toile pli\u00e9e 255 x 320 cm Parmi les Tables peintes \u00e0 cette \u00e9poque, quelques unes de couleur terre. Terre verte, rouge,… Poursuivre la lecture le point de capiton de Simon Hanta\u00ef<\/span><\/a><\/p>\n","protected":false},"author":11,"featured_media":11883,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_eb_attr":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_fdfeed_enabled":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[545],"tags":[1662,1381,1382,1690],"class_list":["post-11880","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-jacques-lacan","tag-piero-della-francesca","tag-point-de-capiton","tag-simon-hantai","entry"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.disparates.org\/iota\/wp-content\/uploads\/madonna-del-Parto-Piero-della-Francesca.jpg?fit=800%2C840&ssl=1","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.disparates.org\/iota\/wp-json\/wp\/v2\/posts\/11880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.disparates.org\/iota\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.disparates.org\/iota\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.disparates.org\/iota\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/www.disparates.org\/iota\/wp-json\/wp\/v2\/comments?post=11880"}],"version-history":[{"count":0,"href":"https:\/\/www.disparates.org\/iota\/wp-json\/wp\/v2\/posts\/11880\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.disparates.org\/iota\/wp-json\/wp\/v2\/media\/11883"}],"wp:attachment":[{"href":"https:\/\/www.disparates.org\/iota\/wp-json\/wp\/v2\/media?parent=11880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.disparates.org\/iota\/wp-json\/wp\/v2\/categories?post=11880"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.disparates.org\/iota\/wp-json\/wp\/v2\/tags?post=11880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}